Opus

A young writer is invited, with a handful of bigger journalists, to a pop star’s compound for the listening of a new album. Green makes the weekend a cult with good catering. Ayo Edebiri’s Ariel is the junior person who notices the doors. John Malkovich’s Moretti wants worship and calls it access. The A24 trailer is the desert and the song. The film is about what a profile costs the person who is not famous enough to leave.